
Display Channel | Physical Channel | Resolution | Callsign | Location | Station Operator | ||||||||||||||||||||||||||
1 New York City, New York | |||||||||||||||||||||||||||||||
02-2 | (36) | 480i (w) | WCBS-TV | NEW YORK, NY | CBS Corporation | ||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
-:![]() Granted | Channel 36 ![]() | ||||||||||||||||||||||||||||||
0000075271 () - App 0000091726 () - App | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
(81.28 kW + 9.03 dB gain = 650 kW ERP) | |||||||||||||||||||||||||||||||
mile contour / sq. mi. area / Est. Pop. 21,793,050 | |||||||||||||||||||||||||||||||
' ; ' ; (1263701) | |||||||||||||||||||||||||||||||
1° ; Full Service Filter PEP96L | |||||||||||||||||||||||||||||||
NAD83: N 40° 42' 46.8", W 74° 0' 47.3" (40.713, -74.013139) One World Trade Center (NY) |

Granted

0000158234 () - App
' kW (E) (Vertical ERP: Unknown) |
Dielectric ESBTUF80

Granted

0000158237 () - App
' kW (E) (Vertical ERP: Unknown) |
Dielectric ESBTUA80
TSReader Data: Channel 36 (01/19/2019) Channel 22 (08/15/2015)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
36.1 | 02-1 | WCBS-HD | 1 | 0x0030 | 1080i | 1920x1080 | 16:9 | 0x0031 | 13.45 ‑ 16.45 | 0x0031 | DD5.1 | 0x0034 | 384kbps |
36.2 | 02-2 | STARTTV | 2 | 0x0040 | 480i | 640x480 | 16:9 | 0x0041 | 0.6 ‑ 2.25 | 0x0041 | DD2.0 | 0x0044 | 192kbps |
36.3 | 02-3 | DABL | 3 | 0x0050 | 480i | 640x480 | 16:9 | 0x0051 | 1 ‑ 2.4 | 0x0052 | DD2.0 | 0x0054 | 96kbps |
36.4 | 02-4 | FAVE-TV | 4 | 0x0060 | 480i | 704x480 | 16:9 | 0x0061 | 0Mbps | 0x0061 | DD2.0 | 0x0064 | 192kbps |
TSReader Data: HTML Export (04/21/2021)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
29.1 | 55-1 | WLNY-DT | 1 | 0x0030 | 1080i | 1920x1080 | 16:9 | 0x0031 | 12.95Mbps | 0x0031 | DD5.1 | 0x0033 | 384kbps |
29.2 | 55-2 | COMET | 2 | 0x0040 | 480i | 640x480 | 16:9 | 0x0041 | 0.95Mbps | 0x0041 | DD2.0 | 0x0044 | 192kbps |
29.3 | 55-3 | STADIUM | 3 | 0x0050 | 480i | 640x480 | 16:9 | 0x0051 | 1.4Mbps | 0x0051 | DD2.0 | 0x0054 | 192kbps |
29.4 | 55-4 | StartTV | 4 | 0x0060 | 480i | 640x480 | 16:9 | 0x0061 | 1.05Mbps | 0x0061 | DD2.0 | 0x0064 | 192kbps |
29.5 | 55-5 | Circle | 5 | 0x0070 | 480i | 640x480 | 16:9 | 0x0071 | 1.15Mbps | 0x0071 | DD2.0 | 0x0074 | 192kbps |
TSReader Data: Parent HTML Export (10/04/2019)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
10.1 | 02-1 | KCBS-HD | 1 | 0x0030 | 1080i | 1920x1080 | 16:9 | 0x0031 | 10.65 ‑ 15 | 0x0031 | DD5.1 | 0x0034 | 384kbps |
10.2 | 02-2 | StartTV | 2 | 0x0040 | 480i | 720x480 | 16:9 | 0x0041 | 0.9 ‑ 2.6 | 0x0041 | DD2.0 | 0x0044 | 192kbps |
10.3 | 02-3 | Dabl | 3 | 0x0050 | 480i | 704x480 | 16:9 | 0x0051 | 1.65 ‑ 3.5 | 0x0051 | DD2.0 | 0x0054 | 192kbps |
10.4 | 02-4 | FaveTV | 4 | 0x0060 | 480i | 704x480 | 16:9 | 0x0061 | 0Mbps | 0x0061 | DD2.0 | 0x0064 | 192kbps |
Ownership, Repack, Historical, and Translator Data | |||||||||||||
|
Technical Data | ||
-:![]() Granted | Channel 31 ![]() | |
0000069117 () - App 0000124430 () - App | ||
| ||
(1.59 kW + 15.19 dB gain = 52.5 kW ERP) | ||
mile contour / sq. mi. area / Est. Pop. 13,935,150 | ||
' ; ' | ||
1.5° ; Full Service Filter [H-Pat] TUA-C2-8/16M-1 | ||
NAD83: N 34° 11' 47.5", W 118° 15' 33.5" (34.196528, -118.259306) Tongva Peak (CA) |

Granted

0000140118 () - App
' kW (H) | ![]() |
[H-Pat] TAD-16UDA-8/64
TSReader Data: HTML Export (10/04/2019)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
31.1 | 02-1 | KCBS-HD | 1 | 0x0030 | 1080i | 1920x1080 | 16:9 | 0x0031 | 10.65 ‑ 15 | 0x0031 | DD5.1 | 0x0034 | 384kbps |
31.2 | 02-2 | StartTV | 2 | 0x0040 | 480i | 720x480 | 16:9 | 0x0041 | 0.9 ‑ 2.6 | 0x0041 | DD2.0 | 0x0044 | 192kbps |
31.3 | 02-3 | Dabl | 3 | 0x0050 | 480i | 704x480 | 16:9 | 0x0051 | 1.65 ‑ 3.5 | 0x0051 | DD2.0 | 0x0054 | 192kbps |
31.4 | 02-4 | FaveTV | 4 | 0x0060 | 480i | 704x480 | 16:9 | 0x0061 | 0Mbps | 0x0061 | DD2.0 | 0x0064 | 192kbps |
TSReader Data: HTML Export (02/21/2011)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
22.1 | 02-1 | KCBS-HD | 1 | 0x0030 | 1080i | 1920x1080 | 16:9 | 0x0031 | 10.65 ‑ 15 | 0x0031 | DD5.1 | 0x0034 | 384kbps |
22.2 | 02-2 | StartTV | 2 | 0x0040 | 480i | 720x480 | 16:9 | 0x0041 | 0.9 ‑ 2.6 | 0x0041 | DD2.0 | 0x0044 | 192kbps |
22.3 | 02-3 | Dabl | 3 | 0x0050 | 480i | 704x480 | 16:9 | 0x0051 | 1.65 ‑ 3.5 | 0x0051 | DD2.0 | 0x0054 | 192kbps |
22.4 | 02-4 | FaveTV | 4 | 0x0060 | 480i | 704x480 | 16:9 | 0x0061 | 0Mbps | 0x0061 | DD2.0 | 0x0064 | 192kbps |
Technical Data | |||||||||
| |||||||||
-:![]() Granted | Channel 12 ![]() | ||||||||
BXPCDT-20141212AAI () - App 0000058561 () - App | |||||||||
| |||||||||
(1.872 kW + 5.85 dB gain = 7.2 kW ERP) | |||||||||
mile contour / sq. mi. area / Est. Pop. 9,755,439 | |||||||||
' ; ' ; (1032960) | |||||||||
Unknown or 0° ; Full Service Filter [H-Pat] TBF-2AH (SPECIAL) | |||||||||
NAD83: N 41° 52' 44", W 87° 38' 8" (41.878889, -87.635556) Willis Tower (IL) |

Granted

TAD-5H

Granted

0000158238 () - App
' kW (E) (Vertical ERP: 13.4 kW) | ![]() |
[H-Pat] Dielectric TLS-V4M/VP-R
TSReader Data: HTML Export (07/09/2021)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
12.1 | 02-1 | CBS2-HD | 1 | 0x0030 | 1080i | 1920x1080 | 16:9 | 0x0031 | 11.25Mbps | 0x0031 | DD5.1 | 0x0033 | 384kbps |
12.2 | 02-2 | StartTV | 2 | 0x0040 | 480i | 720x480 | 16:9 | 0x0041 | 1.85Mbps | 0x0041 | DD2.0 | 0x0044 | 192kbps |
12.3 | 02-3 | DABL | 3 | 0x0050 | 480i | 720x480 | 16:9 | 0x0051 | 2.1Mbps | 0x0051 | DD2.0 | 0x0054 | 192kbps |
12.4 | 02-4 | Fave TV | 4 | 0x0060 | 480i | 720x480 | 16:9 | 0x0061 | 1.85Mbps | 0x0061 | DD2.0 | 0x0064 | 192kbps |
TSReader Data: HTML Export (07/09/2021)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
18.3 | 48-1 | The U | 2 | 0x0030 | 720p | 1280x720 | 16:9 | 0x0031 | 3.5 ‑ 8.5 | 0x0031 | DD2.0 | 0x0034 | 192kbps |
18.4 | 48-2 | Start | 15 | 0x0040 | 480i | 704x480 | 16:9 | 0x0041 | 0.8 ‑ 3.25 | 0x0041 | DD2.0 | 0x0044 | 192kbps |
18.5 | 48-3 | CBS2 | 22 | 0x0050 | 1080i | 1920x1080 | 16:9 | 0x0051 | 2.65 ‑ 10.35 | 0x0051 | DD5.1 | 0x0054 | 384kbps |
18.6 | 48-4 | Decades | 23 | 0x0060 | 480i | 704x480 | 16:9 | 0x0061 | 0.85 ‑ 3.25 | 0x0061 | DD2.0 | 0x0064 | 192kbps |
Ownership, Repack, Historical, and Translator Data | |||||||||||||||||||||||||||||||||||||||||||||
|
Technical Data | ||||||||||||
| ||||||||||||
-:![]() Granted | Channel 30 ![]() | |||||||||||
0000129588 () - App 0000129754 () - App | ||||||||||||
| ||||||||||||
(23.5 kW + 13.2 dB gain = 491 kW ERP) | ||||||||||||
mile contour / sq. mi. area / Est. Pop. 8,457,203 | ||||||||||||
' ; ' ; (1023152) | ||||||||||||
0.5° ; Full Service Filter [H-Pat] Dielectric TFU-24WB/VP-R C160 | ||||||||||||
NAD83: N 40° 2' 39", W 75° 14' 25" (40.044167, -75.240278) Roxborough (PA) |
TSReader Data: HTML Export (12/16/2020)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
30.1 | 03-1 | KYW-TV | 1 | 0x0030 | 1080i | 1920x1080 | 16:9 | 0x0031 | 12.1Mbps | 0x0031 | DD5.1 | 0x0034 | 384kbps |
30.2 | 03-2 | StartTV | 2 | 0x0040 | 480i | 704x480 | 16:9 | 0x0041 | 1.65Mbps | 0x0041 | DD2.0 | 0x0044 | 192kbps |
30.3 | 03-3 | DABL | 3 | 0x0050 | 480i | 704x480 | 16:9 | 0x0051 | 2.3Mbps | 0x0051 | DD2.0 | 0x0054 | 192kbps |
30.4 | 03-4 | FaveTV | 4 | 0x0060 | 480i | 704x480 | 16:9 | 0x0061 | 1.9Mbps | 0x0061 | DD2.0 | 0x0064 | 192kbps |
Technical Data | ||||||||||||
| ||||||||||||
-:![]() Granted | Channel 19 ![]() | |||||||||||
0000035976 () - App 0000152300 () - App | ||||||||||||
| ||||||||||||
(20.75 kW + 13.5 dB gain = 465 kW ERP) | ||||||||||||
mile contour / sq. mi. area / Est. Pop. 6,604,659 | ||||||||||||
' ; ' ; (1055009) | ||||||||||||
0.8° ; Full Service Filter [H-Pat] Dielectric TUM-C4-AP-14/48H-2-R-B | ||||||||||||
NAD83: N 32° 35' 22", W 96° 58' 12.9" (32.589444, -96.97025) Cedar Hill (TX) |
TSReader Data: HTML Export (07/29/2020)
Bitrate Allocation: Variable
Digital Channel | Display Channel | Call Sign | Src ID | PMT PID | Video | Dimensions | Aspect Ratio | Video PID | Video (Mbps) | PCR PID | Audio Type | Audio PID | Audio Bitrate |
19.1 | 11-1 | KTVT-DT | 1 | 0x0030 | 1080i | 1920x1080 | 16:9 | 0x0031 | 13.65 ‑ 14 | 0x0031 | DD5.1 | 0x0034 | 384kbps |
19.2 | 11-2 | StartTV | 2 | 0x0040 | 480i | 720x480 | 16:9 | 0x0041 | 1.5 ‑ 1.8 | 0x0041 | DD2.0 | 0x0044 | 192kbps |
19.3 | 11-3 | DABL | 3 | 0x0050 | 480i | 704x480 | 16:9 | 0x0051 | 2 ‑ 2.05 | 0x0051 | DD2.0 | 0x0054 | 192kbps |
19.4 | 11-4 | FAVE | 4 | 0x0060 | 480i | 704x480 | 16:9 | 0x0061 | 0Mbps | 0x0061 | DD2.0 | 0x0064 | 192kbps |
KPRC 2 launches Start TV Network on Channel 2.2 in Houston
:strip_exif(true):strip_icc(true):no_upscale(true):quality(65)/cloudfront-us-east-1.images.arcpublishing.com/gmg/GYOFNV6TPND25MTHR7UVGPMWMQ.jpg)
KPRC 2 is bringing multicast entertainment network Start TV to Houston on its digital channel 2.2 starting March 29, 2021. Start TV showcases strong and resourceful female leading characters in a lineup of contemporary and proven procedural dramas. Each lead character and series embody a boldness and determination to “Start” leading the way, seeking the truth, solving the crime, and defending the innocent.
“We’re thrilled to introduce Start TV to our viewers here in Houston,” said KPRC 2 Creative Services Director Natalia Egan. “Start TV’s inventive lineup presents some of the most compelling female heroines in television drama, portrayed by award-winning actresses who have captivated audiences season after season.”
The talented and award-winning lead actresses featured on Start TV Network include Primetime Emmy winner Kyra Sedgewick in The Closer, Primetime Emmy winners Julianna Margulies and Christine Baranski in The Good Wife, Angie Harmon and Sasha Alexander in Rizzoli & Isles, Annie Potts and Lorraine Toussaint in Any Day Now, Mary McDonnell in Major Crimes, Primetime Emmy winner Patricia Arquette in Medium, Jennifer Love Hewitt in Ghost Whisperer, and other acclaimed talent in contemporary dramas. In May, musical drama Nashville will premiere on Start TV starring Connie Britton and Hayden Panettiere.
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Start TV features an original seven-day-a-week strip schedule, with most episodes airing every day at the same time, Monday through Sunday. This convenient format allows viewers to tune in and “Start” watching any day or time they choose. Houston-area viewers can find Start TV on digital channel 2.2, Xfinity channel 320 and on other service providers by checking their local listings.
“My Start Story,” an original short-form profile series showcasing the stories of real women from all walks of life who work to change the world in their own way, airs throughout the day on Start TV, with a new woman featured every day. Past episodes have featured trailblazing comedian Carol Burnett, Olympic gold medalist Kendall Coyne, RogerEbert.com publisher Chaz Ebert, “Sneak Previews” executive producer Thea Flaum, Tony Award-winner Nancy Opel, iconic singer Dionne Warwick and more.
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MeTV Houston, previously found on digital channel 2.2, moves to its new home on digital channel 51.1. For a complete list of channels and where to watch, visit www.MeTV.com
Viewers can see the complete Start TV network schedule by visiting www.StartTV.com.
Copyright 2021 by KPRC Click2Houston - All rights reserved.
We miss you too! But please note that our retail store will remain closed for in-person visits until further notice. If you need us, just give us a call or reach out to us online. We’re available 24/7 to assist you with whatever you need.
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Friday, October 15th TV listings for Start TV - Today
- Tomorrow
- Sunday, Oct 17
- Monday, Oct 18
- Tuesday, Oct 19
- Wednesday, Oct 20
- Thursday, Oct 21
- Friday, Oct 22
- Saturday, Oct 23
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- Friday, Oct 29
In Plain Sight Kumar vs. Kumar
Mary plays marriage councillor in order to mediate a WITSEC divorce. She must reconcile a stubborn witness and thousands of years of Hindu tradition in order to save the case and keep a family out of danger.
The Good Wife Parenting Made Easy
A routine arbitration turns into a battle of wills between Alicia and Louis Canning, but the pair feels an unexpected connection when a personal crisis interrupts the proceedings.
Nashville Your Good Girl's Gonna Go Bad
Scarlett's breakdown is driving everyone to point fingers at who might be responsible for her condition. Deacon is blaming Rayna for pushing her too fast; Rayna is blaming Juliette for forcing her on stage.
Cagney & Lacey Capitalism
While investigating a prominent immigrant's murder, his criminal activities are uncovered.
Cagney & Lacey Extradition
Cagney and Lacey are sent to Los Angeles to extradite an old 'perp.'
Family Law Against All Odds
Rex sues a publisher when a wrong formula in one of its books causes an explosion.
Sue Thomas: F.B.Eye Secret Agent Man
The team unravels the secrets of a mysterious photo memory stick delivered to the FBI.
Dr. Quinn Medicine Woman Bad Water
When the town's water supply is tainted with mercury by a wealthy mining baron, Dr. Quinn has an ultimatum for the man.
Dr. Quinn Medicine Woman Great American Medicine Show
When medicine-show man Doc Eli arrives in town professing to have created the perfect bottled elixir Dr. Quinn sets out to call his bluff, especially when her children's health is jeopardized.
Touched by An Angel Band of Angels
When a young man kills the only person who believed in him, he faces a bleak future.
Touched by An Angel The Sign of the Dove
To save a friend's life, Andrew must help another man who is on the verge of suicide.
Any Day Now Everyone Deserves to Be Loved
The state wants to put a mentally disable man in a home, but his aunt wants custody.
Ghost Whisperer Demon Child
Upon buying items from a homeowner for her antique shop, Melinda encounters the spirit of an angry young boy, who she later learns is the homeowner's dead son. Melinda realizes that the young boy needs help releasing his anger and decides to help him.
Medium Means and Ends
Scanlon is haunted by dreams of his late brother, leaving Allison concerned about her colleague. Also, while making her final preparations for college, Ariel has visions of missing young women, past and present.
Crossing Jordan Is That Plutonium in Your Pocket, Or Are You Just Happy to See Me?
Devan Maguire is taken captive by armed men while visiting the wife of a murder victim.
Crossing Jordan Dead or Alive
A wealthy heir, who was accused of murder five years prior, strikes again in Mexico.
Cold Case Thrill Kill
Several weeks after being shot, Lilly returns to work and tries to convince Stillman and herself that she's emotionally ready to spearhead the re-opening of the 1994 case of three slain boys for which two teens may have been wrongfully convicted.
Unforgettable With Honor
When Al's partner is gunned down, the investigation reveals that he may have been a dirty cop. Carrie must figure out how to support him without getting too close.
Rizzoli & Isles The Platform
When it appears one of their own shot an unarmed man on a busy Boston subway platform, the team must fight to find the real killer while clearing their detective's name. It becomes clear that the circumstances surrounding the shooting are not clear.
The Closer The Big Picture
The team investigates when big names are found to be clients of a murdered prostitute.
The Closer Show Yourself
The team plays a game of hide-and-seek with a sniper who is targeting gang members.
Major Crimes Thick as Thieves
With Flynn on desk duty as he recovers from injuries, Sharon and the team investigate the murder of a fugitive diamond thief whose body was found by his bail bondsmen. Rusty is put in a tight spot when his relationship with Slider is discovered.
Major Crimes #FindKaylaWeber
A professional baseball pitcher's daughter goes missing, and the Major Crimes team's investigation leads them to the very limits of the justice system. Rusty is put in an extremely awkward position as Slider approaches the last phase of his trial.
Rizzoli & Isles When the Gun Goes Bang, Bang, Bang
After an undercover cop working a narcotics-smuggling sting is shot dead, the killers next turn their sites on Boston homicide headquarters, leaving Jane, Maura and Frankie Jr. trapped in a fight for survival.
Channel start tv
And if I was offered someone else in her role, anyone, even Alba, I would refuse. Only in such words can one describe how perfect it was. Muse. Inspiration.
Start TV - Great TV Starts HereWe are below. A few minutes later, the knock was repeated a little lower, apparently the man went down to the floor by the stairs. Below we are.
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The girl turned over and began to lick the remnants of love juice from the male organ. Having cleanly licked the excited penis, which did not even think to fall, the girl smiled and pulled her ass off. Max did not need to hint twice, he intelligently jumped out of bed and settled in behind. The boy spat on his own penis. With gusto in order to lubricate the frightening weapon, then put his head to the anal hole and slowly began to enter.